Why a 63-Year-Old Woman’s Body Generate So Much Surprise in Hollywood

“I think that I started hating my body when I was about 14.” In a recent Hollywood event, something truly intimate and unexpected happened that left everyone astonished. Emma Thompson, the 63-year-old actress, made a bold and empowering appearance, defying ageist stereotypes and challenging conventional beauty norms.

Older people are frequently overlooked in movies.

According to SAG, actors who are 40 or older had only about a third of the acting jobs in films and TV shows. But the numbers were much worse for older women compared to men. They said that 37% of all guys cast in movies and TV shows were 40 or older, while only 24% of the ladies in those shows were in that age group.

The difference is even more significant when it comes to leading roles. SAG found that only 21% of the main female characters were over 40, while 34% of the main male characters were that age. Another example of Hollywood’s mistreatment of older bodies is when in scary movies like X, older people without clothes are used to make the audience feel uneasy or scared.

Several stars have spoken about this issue.

Many famous stars have raised their voices against ageism in the entertainment industry, and they’ve also criticized the unrealistic beauty expectations they’ve had to deal with. Esteemed actors such as Julianne Moore, Jessica Lange, Jane Fonda, Jennifer Aniston, and Kate Winslet have openly discussed the challenges of age discrimination in Hollywood.

Their efforts have sparked meaningful conversations about the need for more diverse and authentic representations of people of all ages on screen. Notably, Kate Winslet’s stand against unrealistic body standards is evident in her refusal to allow the director of Mare of Easttown to edit her belly in an intimate scene. This bold move further underscores the importance of portraying natural and genuine bodies in media.

Emma Thompson decided to show how a real older body looks like.

Emma Thompson’s courageous decision to portray an authentic older body unclothed in the film Good Luck to You, Leo Grande speaks volumes about the prevailing issues of body image and ageism. She reflects, “It’s very challenging to be nude at 62, especially in a world where nothing has changed in the dreadful demands made on women to look a certain way.”

Thompson shares, “I realized that if I’m not near any mirrors and I look down at my body, it looks fine. I can see my toes, and it doesn’t look horrible. But as soon as I look in a mirror, I see nothing but flaws. It was definitely an interesting thing to experiment with.” Through her insights, Emma Thompson advocates for more authentic, compassionate, and diverse representations of older bodies in cinema.

Many other Hollywood’s beloved actors have opened up about the journey of aging in the glamorous yet challenging world of entertainment. In a candid collection of experiences, these stars share their triumphs, struggles, and insights on breaking through age-related barriers.

Jacqueline Bisset, 78, continues to wow audiences with her natural beauty 

Jacqueline Bisset is magnificent – in so many ways.

In a career spanning 58 years and a portfolio that includes about 50 films, the 78-year-old actress shows no signs of slowing down.

Jacqueline Bisset has been one of my role models since I was a very little girl, my parents just loved her. To me, she really is one of the few actresses that represent the glamour that Hollywood once had.

I admire her aging naturally and always thought she had a very natural beauty and sex appeal. She never wore tons of makeup.

Throughout her storied career, the brown-haired beauty, known for her high cheekbones and striking green eyes, has demonstrated her versatility by playing a range of characters including the sultry seductress Miss Goodthighs in the spy parody Casino Royale (1967), a devoted mother in Sleepy Time Gal (2001), First Lady Jacqueline Kennedy Onassis in America’s Prince: The John F. Kennedy Jr. Story (2003) and Anna Karenina (1985) in the sweeping love story of the same name, where she starred opposite Christopher Reeves.

Bisset made her first on-screen appearance in Roman Polanski’s Cul-de-Sac (1966) and gained notoriety in 1968 when she starred in back-to-back films in one single year: Detective with crooner Frank Sinatra, Bullitt with Steven McQueen, and her Golden Globe-nominated performance in The Sweet Ride with Tony Franciosa and Bob Denver, who’s famously known as Gilligan on Gilligan’s Island.

You’ll also recognize her from her performances in Day for Night (1973), Murder on the Orient Express (1974), The Deep (1977), Wild Orchid (1990), her Golden Globe and Emmy-nominated role in Joan of Arc (1999), her Golden Globe-winning role in the miniseries Dancing on the Edge (2013), Miss You Already (2015) and Birds of Paradise (2021).

In 2010, the multilingual actor–she speaks English, French and Italian–was awarded the Legion of Honor, the highest state order in France, and in 2023, Sedona International Film Festival recognized Bisset with a Lifetime Achievement Award.

Despite filming with some of Hollywood’s hottest men, Bisset has never been married. The stunning woman was pursued by Frank Sinatra, and rumors swirled that she was involved with Bullitt co-star, Hollywood bad boy, Steve McQueen. But Bisset, a proper English lady, said they were too different.

Referring to McQueen, she said in an interview with the Daily Mail, “He was attractive, but a little scary. I was very English and he was a hip American. The way he talked would have driven me mad–I didn’t know what a dude or a soul chick was!”

She’s had long-term relationships with Canadian actor Michael Sarrazin, the ballet dancer Alexander Godunov and actor Vincent Pérez, but she admits she’s too independent for anything permanent.

In an interview with the Independent, Bisset said, “I’ve had some very interesting men in my life. They have been a handful. I don’t choose easy men, I’m told.” She continued, “Sometimes you get too much information when you spend time with people. You start to see things–bad habits. You start to discover them and then you have to marry bad habits and I’m not sure I can cope with them. I don’t ever have bad relationships. I haven’t broken up angry. I’ve just moved out of situations that have been overwhelming.”

Though Bisset–Godmother to Angelina Jolie–hasn’t made headlines for having outrageous relationships, she was trending after she won the Golden Globe for her portrayal as Lady Cremone in the BBC series Dancing on the Edge.

Her acceptance speech, with the background music playing to signal her off the stage, was mostly filled with ramblings but demonstrated genuine gratitude from the then 69-year-old, who had been waiting 47 years to win, since her first nomination for best newcomer.

Since then, she starred as a sassy femme fatale in the French thriller The Lodger (2020), and most recently, she appeared in the film Loren & Rose (2022). Bisset plays the lead character Rose, a legendary actor trying to re-establish her career, who’s bound by a reputation that casts her as being a “little zany and a bit unreliable.”

According to the film’s director Russell Brown, the character of Rose is the opposite of Bisset in real life. Brown said, “Viewers often assume that Jacqueline is ‘like she is in the movie.’ But this really isn’t the case–as an actress and a woman, I think she is quite different from Rose, and it’s a testament to her skill that the transformation feels so seamless.”

Bisset is a timeless beauty who embraces aging with grace. In her infamous Golden Globes speech, she said: ‘I believe, if you want to look good, you’ve got to forgive everybody. It’s the best beauty treatment.’

She’s also said that though in her youth she had “lots of complexes” she was never tempted by plastic surgery. “I don’t think it makes you look younger. It makes you different,” said Bisset.

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