I am pleased with the strides our civilization has made in 2022, recognizing that progress comes in various forms. While acknowledging that certain aspects of the past were better, it’s crucial to highlight that some elements of bygone eras belong precisely where they are, in the past.
In the 19th century, “freak shows” were a popular attraction, considered a regular part of American society. These mobile circuses showcased individuals deemed “odd”, such as bearded women and Siamese twins. Mary Ann Bevan, labeled the “Ugliest Woman in the World”, emerged as one of these attractions, and her poignant life story emphasizes the need to remember and learn from such historical missteps.
While human curiosity about individuals with different ethnicities or physical abilities has existed throughout history, exploiting them for profit is ethically wrong, regardless of the time period. In the 19th century, audiences flocked to witness people with deformities in “freak shows”, an unsettling trend that persisted from the 1840s to the 1940s without widespread moral objection.
Mary Ann Bevan’s story unfolded in this challenging period. Born as Mary Ann Webster on December 20, 1874, in Plaistow, East London, she grew up in a working-class household, one of eight children. Unlike her brothers, who found employment when they reached adulthood, Mary Ann pursued education, graduating from medical school and beginning her career as a nurse in 1894.
Her life took a positive turn when she married Thomas Bevan in 1902, and together, they experienced the joys of raising four children. However, tragedy struck after 14 years of marriage when Thomas suffered a stroke and passed away. Left alone with her children, Mary Ann faced additional challenges as she grappled with a rare condition known as acromegaly, which affected her physical appearance.
Acromegaly, characterized by the overproduction of growth hormone, leads to enlarged body tissues and bones. Mary Ann exhibited symptoms around the age of 32, and with limited knowledge about the condition at the time, she struggled to find help. Unlike the typical manifestation of acromegaly after puberty, Mary Ann’s ailment affected her face, altering her features.
Despite her hardships, Mary Ann initially found solace in her family and received support from her husband. However, after Thomas’s death, the disease’s impact worsened, rendering her unemployable due to her changed appearance. Desperate to provide for her children, Mary Ann responded to a newspaper advertisement seeking the “Ugliest woman” for a circus.
Claude Bartram, an agent for Barnum and Bailey, selected Mary Ann based on her photograph and offered her a contract that included a weekly salary, travel expenses, and proceeds from picture postcard sales. Mary Ann’s journey to America in 1920 marked the beginning of her fame as “The Ugliest Woman on Earth”, with appearances at the Coney Island Circus.
Despite objections to the morality of using individuals with physical differences for entertainment, Mary Ann became a sensation, earning significant income. The financial success allowed her to provide her children with education in England, fulfilling her commitment as a devoted mother. Mary Ann’s resilience and sacrifice epitomize true beauty and maternal love.
Returning to France in 1925 for an exhibition, Mary Ann spent the remainder of her life in New York, working at the Coney Island Dreamland Show. She passed away in 1933 from natural causes at the age of 59, fulfilling her dying wish to be buried in her native country, laid to rest at South London’s Ladywell and Brockley Cemetery.
Mary Ann Bevan’s story is a testament to her unwavering determination to support her family. In a time without modern benefits, she worked tirelessly, embodying the selflessness of a mother who prioritizes her children above all. May Mary Ann rest in peace, a deserving tribute to a woman whose life exemplified sacrifice and maternal love.
“You Won’t Believe How This Actor Scared Women Off-Screen!
Vincent D’Onofrio is best known for his memorable role as the clumsy Marine recruit in Stanley Kubrick’s movie Full Metal Jacket. However, his popularity decreased after that.
The ruggedly handsome actor, who turned 64 on June 30, 2023, had to change his appearance drastically for the role. This change made women, who once loved his curly dark hair and athletic build, less interested in him.
D’Onofrio has a long and varied career. He always gives his best to every role, transforming completely into his characters, making people forget who he really is.
Born in Brooklyn, D’Onofrio started in stage productions, both off-Broadway and on. He had many side jobs to support his acting dreams, including working as a bodyguard for Yul Brynner and Robert Plant.
In his early days, he worked as a nightclub bouncer, delivered flowers, hung drapes, and drove a cab to make ends meet.
After acting in a few low-budget films, his friend Matthew Modine suggested he send an audition tape to Stanley Kubrick, who was casting for his next big movie.
The 6-foot-3 D’Onofrio, who was very fit at the time, won the role of Leonard, a fat, dim-witted character, but had to meet some tough conditions.
Working with Kubrick was a life-changing experience for D’Onofrio, allowing him to fully dive into his character and push his acting limits in a challenging environment.
At 24, D’Onofrio had to shave his head and gain 70 to 80 pounds for the role, the most weight any actor has gained for a role.
Kubrick initially asked if he was okay with gaining weight, and after D’Onofrio gained 30 pounds, Kubrick felt he still looked too strong. So, D’Onofrio ended up gaining about 80 pounds, going from 200 to 280 pounds.
Gaining weight for the role was tough for D’Onofrio, especially when he had to perform the intense boot-camp scenes in the movie. Normally, obstacle courses would have been easy for him with his athletic build, but they were very challenging at 280 pounds.
D’Onofrio’s incredible performance as the chubby, dim-witted, and mentally disturbed Leonard earned him a lot of praise from critics. However, some fans started confusing him with his character.
“People treat you differently when you’re that size,” D’Onofrio said. “My head was shaved, so I looked completely different from my usual long, lanky self. I turned into this big, burly guy with a bald head. It was a very strange life change.”
He added, “It changed my life. Women didn’t look at me anymore; I mostly saw their backs as they ran away. People even talked to me slowly, thinking I was stupid.”
A year after filming Full Metal Jacket, Vincent D’Onofrio had a full head of hair again and his body returned to its original size.
Today, the New York-born director, producer, screenwriter, and actor, who wrote the 2023 book “Pigs Can’t Look Up,” credits his long career to Stanley Kubrick.
“Stanley made my career, there’s no question about that. I’ve done over 50 films because of him and that part,” D’Onofrio said. He has had many roles in both film and TV, including Law & Order: Criminal Intent (2001-2011) and Marvel’s Daredevil (2015-2018). His movies include Dying Young, The Break-Up, and Jurassic World.
D’Onofrio’s life was greatly impacted by his parents’ divorce when he was a child. His mother remarried George Meyer, a well-known American producer and writer, and the family moved to Hialeah, Florida. As a child, D’Onofrio was quiet and often spent time alone in his room, deep in thought.
While living in Florida, he became interested in magic and learned sleight of hand from Cuban performers who ran a small magic store.
In the early 1990s, Vincent D’Onofrio was romantically involved with actress Greta Scacchi. They appeared together in several films, including The Player and Fires Within. They have a daughter named Leila George, born around 1991 or 1992, who has also become an actress.
In 1997, Vincent D’Onofrio married Carin van der Donk, a Dutch model. They had their first son in 1999. However, their relationship had problems in the early 2000s, leading to a separation. They later got back together and had a second son in 2008.
In June 2023, D’Onofrio filed for divorce in Manhattan Supreme Court, ending his 26-year marriage with Carin van der Donk.
D’Onofrio appeared with Sandra Bullock in the 2021 film The Unforgivable and will be in the upcoming comedy Dumb Money.
Vincent D’Onofrio was fantastic in Full Metal Jacket and his mental decline as Leonard is incredibly believable!
He looks totally different now, as to be expected many decades later, but we still enjoy his performances!
What do you think about his portrayal of the dumb, fat Leonard?
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