Paris Hilton Is Finally Revealing Her Daughter’s Face But People Are Pointing Out the Same Issue

Paris Hilton has delightfully introduced her 5-month-old daughter, London, to the world, bringing an end to the excited anticipation. While fans celebrated the mother of two, many couldn’t help but discuss a particular detail they observed.

The socialite shared adorable photos of London on her Instagram, introducing her with the caption, ’’Introducing London Marilyn Hilton-Reum. I’ve dreamed of having a daughter named London for as long as I can remember […]’’

Additionally, in the caption, she revealed that her experience as a mother has inspired her to release a song titled “FAME WON’T LOVE YOU,” featuring Sia, scheduled to be released just in time for Mother’s Day.

The snapshots captured Paris donning a pastel pink dress adorned with yellow flowers, radiating maternal bliss. In one frame, she cradled her daughter London, who sported an adorable pink headband.
Other photos showcased Paris with her son Phoenix, and with her husband Carter Reum.

A few days later, Paris shared a video of herself holding London, giving us a glimpse of the song “FAME WON’T LOVE YOU” that she had mentioned earlier.

But many people online also noticed that the star’s kids don’t seem very accustomed to her. One person remarked, ’’If you look at those pictures, all four of them look like they are meeting each other for the first time. Weird,’’ while another added, ’’they seem very detached and posed.’’ A third person wrote, ’’Looks incredibly awkward. Are the kids looking at the nanny?’’

We fully agree with fans that Paris has adorable kids who take after their mom. Just a few days ago, the socialite also stunned on the red carpet and showcased her beauty in a daring black dress. Check out her photos here.

Abandoned strawberry house

Built in the late 1920s, this house was originally the residence of banker Dimitar Ivanov and his wife Nadezhda Stankovic. The interior features a striking red marble fireplace in the reception room, as well as a stage for musical performances and crystal-adorned interior doors.

The house has several bedrooms, elegant terraces, a spacious study and various utility rooms. Although the original furnishings have been lost, historical records indicate that the elite Sofia residents of the time preferred Central and Western European furniture.

The exterior of the property features a large front garden bordered by an ornate wrought iron fence. A large triple staircase leads to the main entrance, and the property is also characterized by carriage portals that flank the courtyard.

These portals are reminiscent of a bygone era where one can imagine a horse-drawn carriage driving into the courtyard, while the horses and carriage wait in a specially designated area behind the house until the end of the reception.

The Ivanov family enjoyed their residence until 1944, after which the estate was nationalized. At first it served as the Romanian embassy, ​​later as the USSR’s trade mission in Bulgaria and as the headquarters of various communist organizations with unclear functions.

In the 1990s the house was returned to Ivanov’s heirs. In 2004 it was taken over by Valentin Zlatev, director of Lukoil. Despite this change of ownership, the property, which had fallen into disrepair for decades, remains neglected and abandoned, with no apparent connection to its cultural heritage.

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