James Earl Jones, the beloved stage and screen actor who lent his iconic, deep voice to Darth Vader in Star Wars and Mufasa in The Lion King, has died at 93.
Regarded as one of the best actors of his generation, Jones’ career spanned Shakespeare to Hollywood hits. He is one of the few actors to have won an Emmy, Grammy, Oscar, Tony Award.
The actor’s death was reported by Deadline, via his representatives at Independent Artist Group.
James Earl Jones was born January 17, 1931 in Arkabutla, Mississippi and raised by his grandparents in Dublin, Michigan. While he would later become one of the most famous voices in the world, he says he suffered from a stutter in his youth.
“I was a stutterer. I couldn’t talk,” Jones recalled in a 1996 interview. “So my first year of school was my first mute year, and then those mute years continued until I got to high school.” A teacher encouraged him to overcome his stutter by reading poetry aloud.
Jones served in the US Army during the Korean War, and after decided to pursue a career in acting. He studied at the American Theatre Wing, working as a janitor to support himself. By the 1960s, Jones was establishing himself as one of his generation’s great Shakespearean actors, playing roles like Othello and King Lear. He also made his film debut in Stanley Kubrick’s classic 1964 comedy Dr. Strangelove, as bombadier Lt. Lothar Zogg.
In 1967, he played a boxer in The Great White Hope, winning the Tony Award for Best Actor in a Play. He reprised the role in the 1970 film version, receiving his first Academy Award nomination.
Amidst all his acclaimed acting work, Jones soon landed his most well-known and iconic role — one where he didn’t even have to appear on set: voicing the villainous Darth Vader in Star Wars. While Vader was played in costume by David Prowse, Jones dubbed over the lines with his own deep bass voice, helping to create one of the most famous characters in movie history.
While Jones originally opted to go uncredited for the role, it has become perhaps his most famous performance. He continued to voice Vader for decades, in the two sequels The Empire Strikes Back and Return of the Jedi, the prequel Revenge of the Sith and the spin-off Rogue One. In 2022, Jones retired from the role, but signed an agreement for his voice to be used in future projects using artificial intelligence and archive recordings.
Jones also provided the voice of another beloved movie character, Mufasa in the 1994 Disney film The Lion King. Jones later reprised the role in the 2019 remake.
Throughout the ’80s and ’90s, Jones appeared in many Hollywood films, including Conan the Barbarian, Coming to America, Field of Dreams, and The Hunt for Red October, Patriot Games and The Sandlot. He also won his second Tony Award, starring in the original production of August Wilson’s Fences.
He received eight Emmy Award nominations for his television work, winning twice in 1991: Outstanding Supporting Actor in a Limited Series or Movie for Heat Wave and Outstanding Lead Actor in a Drama Series for Gabriel’s Fire.
Jones also continued to perform on Broadway: over the past 20 years he starred in revivals of On Golden Pond, Cat on a Hot Tin Roof, Driving Miss Daisy, The Best Man and You Can’t Take it With You.
Jones was the recipient of many awards and honors throughout his acclaimed career. He received an Honorary Academy Award in 2011, making him one of the only people to have won an Emmy, Grammy, Oscar and Tony Award, known as “EGOT.” Broadway’s Cort Theatre was renamed the James Earl Jones Theatre in his honor in 2022.
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I Incurred a $500 Fine When My Neighbor Falsely Accused My Son of Her Toddler’s Hallway Scribbles — I Couldn’t Let It Go
Caitlin often found herself informally supervising her neighbor Stacy’s young son, Nate, providing him some stability while his mom sought time for herself. However, when Nate decorated the hallway walls with doodles during Caitlin’s absence, she was unjustly slapped with a $500 fine. Determined to set things right, Caitlin devised a plan for retribution.
Stacy had become accustomed to letting her young son, Nate, roam the hallway as a play area.
“It’s safe, Caitlin,” she’d assure me. “Plus, it’s their version of outdoor play.”
She would then retreat behind her door, leaving Nate to his devices, often while she entertained guests.
“I just need some downtime,” she confessed to me once in the laundry room. “I’m a grown woman with needs, you know. Being a single mom, you must get it.”
I understood her need for personal space, but I could never imagine letting my own son, Jackson, wander the hallways alone. Despite our general familiarity with the neighbors, the corridors didn’t feel completely secure.
Jackson, slightly older than Nate, seemed concerned about the younger boy, who often loitered alone, clutching his tattered teddy bear.
“Mom,” Jackson would say during his playtime, “maybe we should invite him over.”
Grateful for my son’s compassion, I agreed. It was better to keep both children within sight, ensuring their safety.
Thus, we began having Nate over for snacks, toys, and movies—a simple arrangement that brought him noticeable joy.
“He mentioned he likes playing with others,” Jackson noted one day. “I don’t think his mom spends much time with him.”
And interestingly, Stacy hardly acknowledged this setup. Once she realized Nate was safe with us, she seemed to extend her leisure time even more.
Eventually, it became routine for Nate to knock on our door whenever his mother let him out.
“Hello,” he’d say, teddy in hand. “I’m here to play.”
However, one day, we were away at my parents’ house for my mom’s birthday.
“I hope Nate will be okay,” Jackson expressed concern as we drove.
“Oh, honey,” I responded. “His mom is there. She’s responsible for his safety too.”
Upon our return, we were greeted by hallway walls covered in childish drawings—a colorful chaos of stick figures and squiggles.
“Nate must have had fun,” I remarked, searching for my keys.
“Isn’t he going to be in trouble?” Jackson asked, eyeing the artwork
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