Bobby Sherman was one of the biggest music stars during the 1960s and 1970s. Back then, it seemed like everyone had a crush on him.
He released several albums, became a well-known actor, performed for thousands of fans, and sold millions of records. But even with all his success, Sherman made the surprising decision to leave show business for good while he was still famous.
It wasn’t because he felt like he wasn’t talented anymore. Instead, he left for a bigger purpose—he wanted to save lives.
Here’s everything you need to know about the legendary Bobby Sherman!
Bobby Sherman was born on July 22, 1943, in Santa Monica, California, and grew up in Van Nuys, near Los Angeles.
**Bobby Sherman – Early Life**
By the time he was 11, Sherman had learned to play the trumpet and later mastered other instruments like the piano, trombone, and guitar. He attended Birmingham High School, where he joined a band and developed a strong interest in singing. Over the years, Sherman reportedly learned to play an impressive 16 instruments.
After graduating high school in 1961, he began studying at Pierce College in Woodland Hills, near Los Angeles. It was during this time that a relationship changed his life forever.
Sherman was studying child psychology at Pierce College when he met his first girlfriend. One night, she invited him to a cast party for *The Greatest Story Ever Told*.
By then, Sherman had already started performing music with different bands around the San Fernando Valley, and many people recognized his talent. At the party, Sherman didn’t hesitate to showcase his voice.
“I was always the guy who had the gumption to get up and sing in front of people,” he later said.
At the Hollywood party, Bobby Sherman had some friends playing in the band on stage, which made it easier for him to get up and sing. He performed Ray Charles’ “What I’d Say” in front of the crowd.
**Discovered at a Hollywood Party**
Since it was a Hollywood party, many famous people from the entertainment industry were there, including stars like Sal Mineo, Natalie Wood, and Jane Fonda.
After his performance, they recognized his talent. Sal Mineo, especially, took notice and decided to mentor him.
“People were saying things like, ‘Who’s handling you?’ I had no idea what that meant,” Sherman recalled.
“Well, I was just a kid from Van Nuys, and I was like, ‘What do they mean, handling me?’ Then I realized they were talking about representation.”
Sherman quickly got a taste of Hollywood life. Just three days later, an agent—who had heard about him from one of the party guests—sent him to an audition. It was for a new television show called *Shindig*, and Bobby landed a featured role.
His time on *Shindig* lasted only two years, but that was enough to get him noticed. By then, people across the country had fallen in love with him, and job offers started pouring in.
When *Shindig* was canceled in 1966, Bobby Sherman guest-starred on several other shows, including *The Monkees*, *Honey West*, and *The FBI*. He was starting to become a heartthrob in Hollywood, but it was in 1968 that he really made it big.
**Bobby Sherman – Music, Songs, Albums, Acting**
Sherman played the stuttering character Jason Bolt in *Here Come The Brides*, staying on the show for two full years. By the end of his time on the show, his character had lost his stutter, but the show was eventually canceled.
Jason Bolt became very popular with fans, and Sherman realized this during a telethon in Buffalo. Suddenly, he wasn’t just a rising star; he had become famous.
“The show had just started, and we didn’t even have any records out yet,” Sherman told *Tulsa World*.
“Greg Morris from *Mission: Impossible* and Robert Brown from *Here Come The Brides* and I were asked to do the telethon. It was going really well when the fire marshal came in and said, ‘We have a problem. You need to come up to the second floor; you have to greet some people.’
“They opened up a window, and I looked out to see the parking lot of the TV station filled with people. It was a sea of faces,” he recalled. “It was just unbelievable. That was when I realized something big was happening.”
The following year was a bit of a “limbo” for Bobby. However, it was during this time that he began focusing on writing songs and experimenting with his eight-track recording equipment.
Bobby Sherman became a professional singer, even though he hadn’t received much recognition for his voice yet.
**Bobby Sherman – Family, Wife, Children**
From 1969 to 1971, Sherman’s young fans bought millions of his recordings. He released popular singles like “Little Woman,” “Easy Come, Easy Go,” and “Julie, Do Ya Love Me.” He sold over a million copies of six different singles and four different albums.
“A song begins with an idea – one line,” he explained in 1971. “I build that into a complete lyric. Then, I fit the music around it.”
Sherman starred in a television series called *Getting Together*, a spinoff of *The Partridge Family*, about two songwriters, from 1970 to 1971. He also appeared in several guest roles after that.
At the same time as his rise to fame, he married his first wife, Patti Carnel, in 1971. Together, they had two sons, Christopher and Tyler.
Sherman wanted his kids to have a great place to grow up, so he decided to build a miniature model of Disneyland’s Main Street in his backyard. The project cost him about $15,000 and took around two and a half years to complete.
Not everyone was happy with Bobby Sherman’s Disneyland project; his wife was reportedly annoyed by the constant noise of hammers.
**”I Didn’t Know What Home Was”**
“At one point, she said, ‘If you don’t finish it, I’ll kill you,’” Sherman joked in an interview with *People*.
Bobby’s children not only inspired him to build his own piece of Disneyland but also became the motivation for his new career. He became a major teen heartthrob before stars like Shaun Cassidy and David Cassidy. Eventually, he was “replaced” by performers like Donny Osmond.
At the height of his career, Sherman starred in hit television series while also releasing popular singles, gaining adoration from millions of fans. His albums *Sixteen* and *Tiger Beat* became two of his most cherished works.
Even though he was living out his dream, Sherman explained that he often filmed five days a week and had evening shows on weekends. This busy schedule took a toll on him. “It was so hectic for three years that I didn’t know what home was,” he told the *Washington Post*.
“I was disoriented; I never knew where I was. I always had to be reminded. But, in all honesty, I must say I had the best of times because the concerts were great, and the fans were great. It was the proverbial love-in, but it just zapped so much out of me.”
**Bobby Sherman Left Music to Save Lives**
Then, in the middle of his celebrity status, Bobby suddenly decided to switch careers to a very important one. He chose to leave his music and television career to save lives.
Sherman was very involved in raising his children, and his then-wife Patti was afraid of blood. As anyone who has raised kids knows, accidents happen often, and Christopher and Tyler would sometimes fall and get hurt.
These falls sometimes caused bloody knees and other minor scrapes. Wanting to handle these situations better, Sherman decided to take some classes. He first took an introductory first aid and CPR class and later volunteered as an emergency medical technician.
“The very first call, I saved a little 5-year-old girl’s life. I thought, ‘Yeah, that’s the most incredible feeling,’” Bobby recalled in a 1994 interview.
Breaking: Whoopi Goldberg Stands in Support of Beyoncé, Vows to Leave the US with Her, “Beyoncé Is Country, I Can Assure You”
Goldberg’s departure from the United States, accompanied by Beyoncé, goes beyond mere personal support. It serves as a powerful declaration against the stifling cultural constraints that artists encounter when venturing into uncharted territories of creative expression. Goldberg elucidated, “When an artist as renowned as Beyoncé encounters resistance and criticism while exploring her musical roots and inspirations, it becomes evident that it is imperative to seek a haven that truly values and embraces artistic liberty.”
The planned departure of Goldberg and Beyoncé has ignited a broad conversation about the demands on artists and the significance of genres in music. Professionals in the industry contend that music, as with any art form, should be progressive and innovative. Dr. Lena Morris, an ethnomusicologist, remarks, “Genres have consistently transformed. The country music we perceive as ‘pure’ today was actually a fusion of blues, folk, and gospel music from the past. Beyoncé’s contributions carry on this legacy of mixing and reimagining.”
Advocates for Goldberg and Beyoncé emphasize that their departure could bring attention to the larger problem of minority artists being typecast into particular genres and pressured to remain in those boundaries. The online community has witnessed an increase in messages and hashtags such as #ArtistsWithoutBorders and #GenreEvolution, as supporters and peers express their opinions on the necessity for a broader and adaptable interpretation of music genres.
On the other hand, there are critics who argue that Beyoncé and Goldberg’s decision to leave the country may be seen as an exaggerated response. They propose that challenging the existing norms from within could potentially bring about more significant changes in the industry. Music critic Jason Keeler expressed, “Although I understand their frustration, abandoning the U.S. music scene could be interpreted as giving up rather than striving to broaden the scope of country music.”
As the ongoing debate persists, it is evident that the impact of Beyoncé’s Cowboy Carter and the resulting controversy has surpassed the realm of music, delving into deeper issues of cultural identity and artistic integrity. The discussions it has sparked regarding genre, race, and the future of the music industry are likely to shape how artists are perceived and granted the freedom to express themselves.
Looking forward, the departure of Goldberg and Beyoncé could establish a new standard for artists dealing with similar challenges, indicating that the international music scene may evolve into a fresh arena for creative freedom. This action might inspire more artists to search for environments that embrace diverse forms of artistic expression, potentially leading to a more interconnected and less genre-restricted music landscape.
In summary, Whoopi Goldberg’s choice to support Beyoncé and depart from the United States marks a pivotal moment for the music industry. It emphasizes the necessity for greater openness to artistic exploration and raises complex issues regarding cultural authenticity and the transformation of music genres. As these influential figures prepare for their next phase, the world observes and anticipates the impact of their bold decisions on the cultural realm.
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