I ignored the little box under our Christmas tree for years. My husband said it was just a memory from his first love, but memories don’t haunt you like that. Last Christmas, something inside me snapped. I opened the gift and found a secret that changed everything.
I met Tyler when I was 32 and he was 35. It sounds cliché, but it felt like fate. Our connection was fast and electric, like when you step outside just as the first snowfall starts. Everything was magic, glittering, and impossibly perfect.
A couple walking in the snow | Source: Midjourney
He made me laugh with his dry humor, and I admired his quiet confidence. He was never brash and never postured. Tyler was just steady and certain, a safe harbor in a storm.
At least, that’s what I thought. I later realized his calm demeanor wasn’t confidence; it was cowardice.
Our first Christmas together was everything I’d dreamed of. Candles flickered, soft music played, and snow dusted the windows. We took turns unwrapping gifts, leaving ribbons and bows scattered across the floor. Then I saw it.
A woman sitting in a living room on Christmas | Source: Midjourney
One gift remained under the Christmas tree: a small, neatly wrapped box with a slightly flattened bow.
“Oh?” I said, tilting my head toward it. “Is that also for me?”
Tyler glanced up from the sweater I’d just given him and shook his head. “Nah, that’s… that’s something from my first love. She gave it to me before we broke up.” He shrugged like it was nothing. “Each year, I place it under the tree, though I’ve never opened it.”
A man sitting on a sofa | Source: Midjourney
I blinked. “What?”
He didn’t even look up. Just folded the sweater over his lap. “It’s not a big deal. It’s just a memory of someone who once meant a lot to me.”
I felt a prickle at the back of my neck. “Why didn’t you open it?”
“We broke up soon afterward, and I didn’t feel like opening it,” he said, and that was that.
The moment passed, or at least he thought it did.
A happy man sitting in a living room on Christmas | Source: Midjourney
But I remember sitting there, my smile feeling too tight on my face. A little red flag waved somewhere in the distance of my mind, but I told myself it was fine. People hold on to weird things. Old love letters. Ticket stubs. Nobody’s perfect, right?
The years rolled on, and we built a life together. Tyler and I got married and bought a little starter home. We had two kids together who filled the rooms with shrieks of joy and toddler tears.
We were happy. Or busy, which sometimes feels the same. Christmases came and went like clockwork.
A Christmas tree in a living room | Source: Pexels
I’d put up the tree while Tyler wrangled the lights. The kids would argue over which ornaments went where, and every year, without fail, that little box appeared under the tree.
I asked him about it again around year seven of our marriage.
“Why do you still have that old gift?” I’d said, dusting pine needles off the floor. “You’ve had it longer than you’ve had me.”
He looked up from untangling the lights, brow furrowed like I’d just asked him to solve world peace.
A man untangling Christmas lights in his living room | Source: Midjourney
“It’s just a box, Nicole. It’s not hurting anyone. Leave it be.”
I could’ve argued. I wanted to, but I didn’t. Back then, I still believed that peace was more important than answers. I still believed in us.
Time slipped through our fingers. Christmases came and went. The kids grew up and left for college. They called less and less and skipped spending holidays with the folks more often.
The house was quieter than I expected. It’s funny how you never realize how much noise you’ll miss.
A mature woman decorating a Christmas tree alone | Source: Midjourney
But that box? It never missed a year.
Every December, I’d watch it appear like a ghost. Tyler would place it in a spot where it was out of the way, but still clearly visible. It still had the same stupid paper, as smooth as the day his first love wrapped it.
I didn’t say anything anymore. I’d just see it, feel my chest tighten, and keep moving. But something had shifted.
A mature woman standing near a Christmas tree | Source: Midjourney
The box wasn’t just a box anymore. It was everything we never said to each other. It was his silence on the nights I lay awake, wondering if he’d ever loved me as much as her.
One night, after putting away dinner leftovers, I stood in the kitchen, hands on my hips, staring at the ceiling like it owed me an answer.
Tyler still hadn’t washed the dishes like he’d said he would, and hadn’t taken the trash out either. Instead, he was upstairs, tapping away on his laptop while I held everything together, like always.
A solemn-looking woman standing in a kitchen | Source: Midjourney
I’d committed years of my life to this man and our family, and I was tired of always having to fight with him and remind him about chores. I looked around our kitchen and my heart ached for something I couldn’t name.
I sighed, dried my hands on a dishrag, and made my way to the living room.
The Christmas tree lights twinkled softly, casting everything in a warm, golden glow. It should’ve been peaceful. But then I saw that darn box.
Gifts under a Christmas tree | Source: Pexels
It was sitting there, smug, untouched. Still unopened after all these years.
Something deep and sharp unfurled in my chest. I could’ve walked away. I should’ve, but I’d walked away too many times already.
I grabbed it off the floor, and before I could think, I tore it open. Paper shredded in my hands and that stupid, flattened bow fell to the floor. My breath came short and fast as I tore open the thin cardboard and revealed the gift from Tyler’s first love.
A woman opening a Christmas gift | Source: Pexels
Inside was a letter, neatly folded, aged to a soft yellow. I froze.
This was the thing he’d guarded for thirty years. My heart drummed in my ears as I unfolded the page, fingers trembling.
My stomach dropped as I read the first sentence. I stumbled backward and sat down hard on the sofa as my knees went weak.
A woman sitting on a sofa while reading a letter | Source: Midjourney
“Tyler, I’m pregnant. I know this is a shock, but I didn’t know where else to turn. My parents found out and they’re forcing me to stay away from you, but if you meet me at the bus station on the 22nd, we can run away together. I’ll be wearing a green coat.
Please, meet me there, Tyler. I’m so sorry I lied that day I broke up with you. My father was watching from the car. I never stopped loving you.”
I pressed my fist to my mouth to keep from making a sound.
A shocked woman reading a letter | Source: Midjourney
She’d been there. She’d waited for him. And he never showed. But worse than that — he’d never even opened the letter. He had no idea…
I heard Tyler’s footsteps coming down the stairs. I didn’t even try to hide what I’d done.
When he saw me holding the letter, his face went pale.
“What did you do?!” His voice was sharp, slicing through the air like glass. “That was my most precious memory!”
I rose and turned to him slowly, feeling something inside me crack wide open.
A shocked man standing in a living room decorated for Christmas | Source: Midjourney
“Memory?” I held up the letter like a battle flag. “You mean this? This letter you never even opened? You’re telling me you clung to this ‘memory’ for thirty years and didn’t even have the courage to see what it was?”
He blinked, stepping back like I’d hit him.
“I didn’t…” He stopped and swiped a hand down his face. “I was scared, okay?”
“Coward,” I hissed, thrusting the letter at him like it was a sword.
A furious woman holding a letter | Source: Midjourney
His eyes widened. We stood there like that for what felt like forever, but then he took the page in his hands, and read the letter.
My eyes didn’t even sting with tears as I watched him gasp with shock and sit down on the arm of the sofa. I was too tired for that now.
Emotions flickered across his face, and at one point, he let out a low moan. He seemed to reread her words at least three times before he dropped his head into his hands.
A man sitting with his head in his hands | Source: Midjourney
“She… she was waiting, and I didn’t show up.” His shoulders shook and his voice was thick with emotion.
Silence stretched between us, thick and suffocating. He cried like a man mourning his own grave. But I didn’t feel sorry for him. I’d been waiting too.
“Tyler,” I said, my voice calm like a still lake after a storm. “I’m tired. Tired of being second to a ghost.” I felt my heart settle into something steady. “We’re done.”
He didn’t chase me as I left the room.
An angry woman glancing over her shoulder | Source: Midjourney
The divorce was quiet. Neither of us had the energy to make it messy. We split the house, the cars, and the rest of our lives.
He tracked her down. I found out from our youngest. She was happily married and their son wasn’t interested in meeting Tyler or his half-siblings. He’d missed his chance. Twice.
And me? I got my own place. On Christmas Eve, I sat by the window, watching the soft glow of lights from the neighboring apartments.
A content woman sitting near a window | Source: Midjourney
There was no tree this year, no boxes, and no ghosts. Just peace.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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