Caroline got a job as a cleaning lady in New York and went to her first assignment. It was a beautiful house in Manhattan, but something shocked her. There was a picture of her mother in the office. Then a man walked in.
“I’m going to do a great job,” Caroline psyched herself up in front of her first assignment. She and her friend, Melissa, moved to New York a few days ago to make their dreams of being Broadway stars come true.
But they needed to find jobs first to rent an apartment together. Luckily, Melissa got hired at a clothing store, and Caroline got a job at an agency for domestic cleaners.
It was perfect. It wasn’t that time-consuming, and she loved cleaning because it had a calming effect on her. Moreover, if no one else was home, she could practice her singing voice.
Caroline was going to her first assignment as a cleaning lady. | Source: Shutterstock
Unfortunately, her mother’s face popped into her mind before walking into her first home. Her mother, Helen, didn’t want her to chase after such silly dreams, much less live in New York.
Caroline was born and raised in Philadelphia, which wasn’t that far away. She didn’t have a father, and her mother never said a word about him. For some reason, Helen really hated New York. She also sheltered Caroline all her life, which was why she had to escape.
When she and Melissa planned their move, she knew her mother would not allow it. Caroline suspected she may even fake an illness just to get her to stay. But Caroline needed to fight for her dreams. It was her life. So, she left a tiny note on her mother’s dresser when she was asleep and ran away.
It had been several days, and Helen had not called her, which was weird. But Caroline assumed she was probably mad at her. Hopefully, she would get over it once Caroline debuted on Broadway. Now, it was time to focus on cleaning this house.
According to the agency director, an older man lives in the house alone, so it was not particularly messy in the first place. When Caroline finally walked inside using the key under the mat as was instructed, she wasted no time to start cleaning — first, the kitchen, then the living room, and moving towards the bedroom.
She noticed the pictures above the mantelpiece. | Source: Unplash
“I’m almost done, sir. But may I ask a question? Who is this woman?”
She hesitated a bit right at the entrance of a serious-looking office, but there were no instructions against coming in. She resolved not to touch too much around the desk and continued cleaning.
There was a beautiful fireplace with a mantelpiece on top and huge bookshelves along the opposite wall. It was the kind of office Caroline had only seen in movies.
She tidied as quickly and thoroughly as she could but stopped short at the mantelpiece. There were several pictures on top, but one caught her attention. A picture with her mother’s face. She was at least 18 years younger, but it was her. “Why is my mother in this man’s pictures?” she wondered out loud.
Suddenly, she heard footsteps and an older man entered the office. “Oh hello there! You must be the new cleaning lady. I’m Richard Smith. I own this house,” the man introduced himself with a warm smile. “Are you done in here already?”
“I’m almost done, sir. But may I ask a question?” Caroline hesitated, hoping that the man wouldn’t be mad if she asked about the image. “Who is this woman?”
The man moved closer to see what picture she was talking about. | Source: Pexels
“Who?” he wondered, moving closer to her and putting on his glasses. “Ah yes. That’s Helen. She was the love of my life.”
Caroline’s senses started pinging. “What happened to her?” She couldn’t help but ask.
“She died during a bus crash. She was pregnant at the time too. I couldn’t even go to the funeral because her mother hated me. It was crazy… I tried to move on and never did. To this day, I still love and miss her,” Richard responded, removing his glasses and moving towards his chair.
“Sir, I’m sorry to intrude like this, and thank you for telling me. But this woman… she looks so much like my mother. It’s insane,” Caroline revealed.
The older man frowned at her. “What do you mean?”
“Well, my mother, Helen, looks exactly like this woman. Obviously, she’s older now, but the resemblance is uncanny. I’m 98% sure this is her,” she continued, facing Richard but gesturing toward the photograph.
Richard dialed right there from his desk. | Source: Pexels
“Helen? Your mother’s name is Helen? Where did you grow up?”
“Philadelphia,” she answered, shrugging her shoulders. Her eyes widened now that she realized that if that was Helen, then this man might be her father.
Richard covered his mouth with his hands. “This is not possible…” he whispered. “Can I have your mother’s phone number?”
“Sure,” she said and gave it to him.
“Can you stay here while I call her?” he requested, and Caroline agreed.
He dialed right there from his office phone, and her mother’s voice answered after a few rings. “Hello? Is it you, Caroline?”
Richard looked up at Caroline for a second but decided to speak up first. “Is this Helen Geller?”
“Yes. Who am I speaking to?” Helen asked from the other end of the line.
He told her about the alleged bus crash. | Source: Pexels
“Helen, it’s Richard,” he continued, his voice starting to get emotional.
“Richard, who? Wait a minute. Richard Morris? What do you want after all these years?” Helen asked, her voice hardening for some reason.
Caroline and Richard started at each other in confusion, but he continued. “What do you mean after all these years? I thought you were dead!”
“What?”
Richard explained what he knew of the alleged accident when he had lost his future wife and unborn baby. He also explained how Helen’s mother didn’t allow him at the funeral and refused to tell him anything afterward. But Helen had no idea what he was talking about and told him what she knew.
“My mother told me that you called and decided you wanted nothing to do with me. So I raised my daughter on my own,” Helen revealed, and Caroline was shocked by this turn of events.
Caroline wanted to make it on Broadway first. | Source: Pexels
“That’s not… Helen, I would never abandon you. I never moved on. I still thought of you every day. I mourned you. I’ve been in pain thinking about you and our kid for almost two decades,” Richard continued, but Helen was quiet.
“I can’t believe Mom would do this. But well, that was her way. I don’t know what do now,” Helen finally stated. “Wait. How did you find out I was still alive?”
“Mom, I’m here,” Caroline chimed in at last. She hurriedly explained what happened and reassured her mother that she was fine in New York.
“I can’t believe this is happening at all. I can’t even ask my mother why she would do something so cruel to us. She died years ago. But anyway, when are you coming back home, Caroline?” Helen asked, in a firmer voice toward her daughter.
“I’m not coming back until I make it on Broadway. And now, well… now I have another reason to stay here,” Caroline continued, looking at Richard with a tiny smile.
They broke the ice with one silly statement. | Source: Pexels
“Fine, but I’m coming up to New York soon,” Helen said and hung up. Richard and Caroline started at each other in silence for a few moments before either of them spoke up.
“So, I guess you’re my dad,” she chirped. He laughed, and that’s how they broke the ice.
What can we learn from this story?
- Let your children pursue their dreams. Caroline ran away because her mother was overprotective. You should guide your children but let them decide what to do with their lives.
- Some parents don’t have your best interests at heart. Helen’s mother did something horrible to her and Richard, and they would never know why.
Share this story with your friends. It might brighten their day and inspire them.
If you enjoyed this story, you might like this one about a woman who didn’t end the call with her husband, and he heard her conversation.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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