Every day, moms have a lot on their plates.
Managing multiple responsibilities throughout the day, like cleaning their children’s sticky hands and faces, folding laundry, ensuring they eat breakfast and lunch, and getting them ready for school, leaves parents with a lot on their plates and little time for relaxation.
No matter how hard they try, there will always be some sort of mishap—such as a toy you trip over, a glass of milk that gets knocked over, or a stain somewhere—waiting around the corner.
The luxury of taking a quick shower before going to bed or spending some alone time is something that many mothers cannot afford.
A mother who has seen it all, Heather Duckworth, recently wrote a piece in which she touched on some of the things we take for granted as parents.
A crucial component of that process is the mess that children make as they transform before our own eyes into the people we’ve always thought they’ll become.
It’s crucial to keep in mind that our kids will use the messes we cleaned up when they were adults as the greatest evidence to the upbringing we provided for them, so it’s worthwhile to make an effort to find happiness even in the middle of turmoil.
Unfortunately, not every woman gets to witness the chaos and disarray that kids bring about.
Not all parents are able to experience the happiness that children bring into their life, either.
Many new and expecting mothers connected with Heather’s widely shared post , “The Blue Stain.”
As Heather washed the grout her daughter had created with the slime, her heart began to race as she recalled the catastrophe she had to clean up all those years prior.
This mother would think, “My hands were full, but so was my heart,” after a demanding day of chasing after her two-year-old triplets and her four-year-old elder brother, picking up toys, and making sure no one got hurt in the mountains of laundry she was unable to finish that day.
Heather and her two sons danced to the radio as they cleaned up the playroom before calling it a night.
It was the last time they would laugh so hard for a while, no one could have anticipated.
She was about to go to sleep herself when she heard one of the boys say, “Uh, Oh,” and she noticed the enormous blue stain that would follow her about for the rest of her life.
One of the triplets’ pens exploded in his hand, splattering ink all over the place. Blue pajamas, hands, and face gave the appearance that the little child was a smurf.
Heather became enraged and felt like a lousy mother as she watched.
Although she hadn’t been upset with her son, she did blame herself since she’d placed the pen in a place where kids could readily get to it. She gave in to her emotions.
“When I noticed blue splatters all over the floor and a large pool of ink seeping into our brand-new carpet, I panicked. My husband had been doing the dishes, so I hurriedly shouted for him to come help me. My spouse began cleaning those vivid blue stains off of our carpet as soon as I got my son and took him to the toilet to clean him up. I was immediately upset.
Heather would often get angry and frustrated when she spotted the stain on the brand-new carpet. Up until the day it was eventually removed, the stain represented all the amazing experiences she shared with her sons.
A month after the little child spilled blue paint on the carpet, he was given a cancer diagnosis. Two years later, he passed away, leaving the stain as a reminder of their time together.
It remained in place, but now it served as a continual reminder of my kid. It served as a continual reminder of my annoyance at something so little and insignificant in the grand scheme of things.
The blue stain served as a continual reminder that although life is messy, it is still worthwhile. a persistent prompt to stop worrying about the little things. a continual reminder that people matter more than “things.” a continuous reminder that mishaps do occur. a continual reminder to hold fast to what is important and let go of the trivial things.
She attempted to hide the bright blue stain with the furniture, but each time she tidied the space, it was there, glaring back at her, a constant reminder of her loss and the grief she was still experiencing.
The purpose of Heather’s narrative is to serve as a reminder of how frequently we forget to see the small things in life that bring us purpose and take life for granted. She feels compelled to tell all the mothers out there that the toys scattered around and the filthy clothes are what actually provide their homes a feeling of security and comfort for their family.
As Heather puts it, those messes caused by the people we care about the most are what give our lives meaning because the day will come when we will truly miss those times.”If it meant I could spend one more day with my son, I would gladly have a million blue ink stains on my carpet.”
She gives mothers this advice: try not to become so engrossed in the world that you lose out on spending valuable time with your children. Prioritize what really important in life since it’s too short to waste time cleaning stains!
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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