Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Someone Wrote ‘Hope She Was Worth It’ on My Car – But I Never Cheated, and My Wife Was Always by My Side
Henry’s world shattered when he saw four chilling words scrawled across his car: “Hope She Was Worth It.” His pregnant wife, Emily, is devastated, and no matter how much he swears he never cheated, doubt creeps in. But the truth? It’s far worse than betrayal… because someone close to him wants to tear his life apart.
I should feel relieved. But I feel heavy and betrayed.
Emily is in my arms again, sobbing into my chest, clinging to me like she’s afraid I’ll disappear. Her voice is muffled against my shirt, but I can hear her words.
An upset woman standing in a living room | Source: Midjourney
“I’m sorry, Henry. I didn’t want to believe it, but I just… I didn’t know what to think.”
And I can’t blame her.
Because when you see something like that, something bold, cruel, and impossible to ignore, it plants a seed of doubt. And doubt is like rot.
It spreads, warping everything until you can’t tell what’s real anymore.
A pensive man | Source: Midjourney
I hold my wife tighter.
“It’s okay. It’s not your fault. None of this is your fault, Emily.”
But someone is to blame.
And she’s standing right in front of us.
Claire shifts uncomfortably under Emily’s teary, piercing gaze. Her arms are crossed, her expression is unreadable, but I can see it in her eyes.
A woman standing in a living room | Source: Midjourney
She regrets this.
Maybe not entirely, maybe not in the way she should, but she knows she has crossed a line.
“Tell her,” I say, my voice firm.
Claire sighs like this is an inconvenience to her, like she’s doing me a favor. Then, finally, she confesses.
She tells Emily everything.
A woman with a hand on her head | Source: Midjourney
About how she wrote the message on my car. How she wanted to drive Emily away. How she thought she was doing me a favor. Because I once said, months ago, that I was scared about becoming a father.
“I’m just scared… we didn’t have the best example growing up,” I said. “I wonder if I’m going to be like him, you know?”
I didn’t think that Claire was going to take my words and twist them into her own reality.
Emily listens, silent.
Her face shifts from confusion to shock to something that makes my stomach twist.
A man sitting in a car | Source: Midjourney
Hurt.
Then, finally, she turns to me, tears pooling in her eyes.
“You really didn’t cheat, Henry?” Her voice is barely above a whisper.
“Never,” I say immediately. “Not once, not ever. I love you, Emily. I love our baby. I love our life together. Claire blindsided me with this just like she did you.”
A shocked woman | Source: Midjourney
The weight of it all crashes over her, and she hugs her belly tightly. Emily almost walked away from me. She almost believed it.
That Claire, my own sister, tried to break us apart.
Earlier
The last thing I expected when leaving the doctor’s office was to see my life falling apart in real time.
The exterior of a doctor’s office | Source: Midjourney
Emily and I had just heard our baby’s heartbeat for the first time. I was still riding that high, unable to believe that we had created this little human being.
We were floating as we walked hand in hand to the parking lot, my mind already racing ahead to baby names, nursery colors, and what life would be like when our little one finally arrived.
Then I saw my car, and my entire world crashed.
A happy couple | Source: Midjourney
Four words were scrawled across the driver’s side door in bold letters.
Hope She Was Worth It.
I stopped in my tracks, looking at the spray paint ruining my car.
“What the hell is that?” The words barely made it past my lips.
A message on a car | Source: Flickr
My wife stopped beside me. Her fingers instinctively hovered over her belly, like she was shielding our baby from whatever this was. I heard her sharp inhale, and I felt the way her grip loosened from mine.
Then, she spoke.
“Did you…?”
She didn’t even finish the question. She didn’t have to.
A shocked woman | Source: Midjourney
I whipped around to face her, my pulse hammering.
“No! Absolutely not! I have never cheated, Emily! I have never, ever cheated on you…”
She didn’t answer. She just stared at the words on the car, then back at me.
And I understood why.
A pensive man | Source: Midjourney
Because there it was.
The accusation. Painted right there, loud and undeniable. Someone, somewhere, thought I had done something terrible. And Emily, my wife, the woman who had always trusted me, always believed in me, was now caught between me and the evidence in front of her.
“It wasn’t me,” I pleaded, stepping toward her. “I swear to you, my love, I have no idea who did this or why.”
Emily exhaled shakily.
A close up of a man | Source: Midjourney
“I… I didn’t write it,” she said, her voice cracking on the last word.
And my God, that broke me.
Because I know what she was really saying. That if she didn’t do it, then who did? And why?
She wasn’t accusing me, not yet, but doubt had crept in. The same doubt that I knew would be impossible to shake until she had an answer. I knew that my wife’s imagination was running wild. She was probably thinking that that I had a beautiful woman on the side. Someone that I went to when I wasn’t with her.
A woman in a red dress | Source: Midjourney
“I need time to think, Henry,” she said.
“Emily, please…”
“I need to clear my head,” she cut in, her voice trembling.
She pulled out her phone and called her mom, quickly telling her that she needed to be picked up.
A woman using her phone | Source: Midjourney
About ten minutes later, I watched as Emily climbed into the passenger seat of her mother’s car, wiping at her cheeks.
And just like that, she was gone.
I stood there, alone in the parking lot, with nothing but the letters branding me a liar and a thousand unanswered questions.
A man standing in a parking lot | Source: Midjourney
That night, I stood in my driveway with a bucket of water, scrubbing furiously at the hateful message.
I should have been inside with Emily, celebrating our baby’s first milestone, or our first milestone as parents-to-be.
Instead, I was alone, trying to erase the damage someone had done, not just to my car, but to my marriage.
My arms ached from scrubbing, but the paint had absorbed the ink. The words wouldn’t budge.
A bucket of soapy water | Source: Midjourney
Just like they wouldn’t leave Emily’s mind.
Because as much as my wife loved me, as much as she wanted to believe me, someone had planted doubt inside her. And doubt, once it takes root, doesn’t just go away.
Was it possible that my car had been mistaken for someone else’s? Maybe it had been a part of someone else’s revenge plan?
I was so lost in thought that I almost didn’t hear the footsteps approaching.
A man kneeling in front of a car | Source: Midjourney
But then…
“Don’t bother thanking me,” a voice said from behind me. “You’re welcome.”
I froze.
I knew that voice.
I turned around, my breath caught in my throat, and there she was.
Claire. My sister.
She stood there, eating an ice cream like everything was right in the world. She was smug as hell.
A woman eating an ice cream | Source: Midjourney
“What the hell are you talking about?” I asked, my voice dangerously low.
She shrugged.
“I wrote it. Duh.”
I blinked.
The words didn’t register at first.
“You… what?” I dropped the sponge I was using into the bucket.
A sponge in a bucket | Source: Midjourney
Claire tilted her head, like I was the dumb one here.
“I wrote it. You’re too chicken to deal with this baby, so I figured I’d help you out. If Emily thinks that you cheated, she’ll leave. Problem solved.”
The world tilted.
“You really think you helped me?” I hissed, stepping toward her.
She rolled her eyes.
A woman with her hand on her hip | Source: Midjourney
“Oh, come on. You’ve been freaking out about this kid for ages now. At Thanksgiving, you went on and on about how you weren’t ready. Don’t you remember? We were at the bakery getting the last-minute pies. You were going on about how money was tight. About how stressed you were. I just… made things easier for you.”
I was shaking.
“That was venting, Claire! It was normal stress! That didn’t mean I wanted out! And… am I not supposed to talk to my sister about these things? I should have known better.”
Pies in a bakery | Source: Midjourney
“Well, how was I supposed to know that?” she shot back. “You should’ve been clearer.”
I almost laughed out loud. Except that nothing about this was funny.
“This isn’t like when you ‘helped me out’ in college,” I snapped, kicking the bucket. “This isn’t like when you told my ex-girlfriend that I was flirting with other girls just so I’d break up with her. She cried for days. This is my wife. This is my child. And you…”
I pointed to the car.
A woman sitting on a bench and crying | Source: Midjourney
“You just ruined my marriage. You just burned my marriage to the ground, Claire! And for what? What did you get out of this?”
Claire actually had the audacity to look bored.
“You’re being dramatic. Emily’s overreacting. It’s just a little lie.”
A little lie?
My breath was uneven. My hands trembled.
An angry man | Source: Midjourney
“You’re going to fix this.”
Claire scoffed.
“Oh, yeah? And how do you suppose I do that?”
I gritted my teeth.
“Get in the car! You’re going to tell Emily the truth. Right now.”
A man standing in front of a car | Source: Midjourney
When we got to Emily’s parents’ house, I was armed with a bouquet of flowers and a chocolate cake. It had been her constant craving for the past week, and I hoped that it would make her smile.
She was hesitant to let me inside.
I could see it in her eyes. The uncertainty. The hurt. It was all there.
“I just need you to listen, my love,” I begged. “Please.”
A bouquet of flowers and a chocolate cake in a car | Source: Midjourney
After a long pause, she opened the door.
Claire shuffled in behind me, suddenly not so smug anymore.
“What’s going on?” Emily asked, arms crossed.
“Tell her,” I turned to my sister. “Now.”
A woman standing in a doorway | Source: Midjourney
Claire hesitated, glancing at me like she wasn’t sure anymore if this was a good idea. But I wasn’t letting her back out.
“Tell her.”
With a sigh, Claire admitted everything. And when she was finished, Emily turned to me and grabbed my waist.
My wife turned to Claire, her expression unreadable.
A woman with her hands on her hips | Source: Midjourney
“You owe me an apology, Claire,” she said. “This was despicable behavior. I can’t believe that you’d do something as horrible as this. If it was such a big deal, and you were genuinely worried about Henry, why didn’t you just come to me? You could have told me what he said and that you thought he wanted out.”
Claire shifted, clearly uncomfortable.
If I’m being honest, I could barely look at my sister. Something had changed in me. She wasn’t the person that I loved a few hours ago. Now?
An upset man | Source: Midjourney
Now she was a horrible woman who had tried to end my marriage based on a conversation we had a long time ago. A conversation that had been in passing. A conversation that had never gone any further than that moment.
“I’m… I’m sorry, Emily. And Henry, I was wrong. I didn’t think it would go this far. I just thought that you two would be forced to have a conversation and that he would tell you the truth.”
“But that isn’t the truth,” Emily said. “It was just your assumption.”
A frowning woman standing in a living room | Source: Midjourney
Claire looked to Emily as though she would say something else. Anything to make it seem as though forgiveness was in sight. But Emily didn’t say much else to her. And I could tell that she was done with Claire.
For a long time, maybe. Or maybe even forever.
And honestly? So was I.
I couldn’t imagine Claire being around my child. I couldn’t imagine what she would be whispering to my child or how she’d treat that baby.
No, we were better off without her.
A new born baby | Source: Midjourney
Over the next few weeks, Emily and I worked through everything. It wasn’t easy breaking through the doubt that had crept in, but we came out stronger.
As for Claire?
Well, she’s on thin ice as far as family is concerned.
I made it clear that she’s not welcome around us unless she gets her act together.
A smiling woman sitting in a rocking chair | Source: Midjourney
In the end, I learned two things:
Never let anyone’s drama mess with your marriage.
Be careful who you vent to.
Because some people don’t want to help you. Some people just want to watch you burn.
A man sitting on a porch | Source: Midjourney
What would you have done?
If you’ve enjoyed this story, here’s another one for you |
When Ally hears that her daughter died, the heavy haze of grief takes over her until one evening when her son, Ben, admits that his sister waves at him from across the road each night. Is Emily still around, or is something spooky at hand?
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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